The Belair Lip Bombs shift discernibly towards something more ambitious and away from a mode which the band themselves had dubiously described as ‘Yearn core’.
It’s a bit of an unnecessary PSA, but The Belair Lip Bombs don’t come from Los Angeles, or even California, or even America.
Personality coming in and out of focus, of seeing first vulnerability and then detachment, has always been part of The Lemonheads’ appeal.
Always an easy way to open up any piece about The Lemonheads is to use the box of chocolates analogy; most of the albums from Evan Dando’s mothership …
Gone is the Husker Du-esque scrabble of Idlewild’s early bombshells; by contrast their self-titled tenth album sounds like a long-lost, grown-up cousin.
Back in the slightly frenzied and uncertain period that followed the demise of Britpop (a genre that unlike the dinosaurs avoided its own mass extinction event and laboured …
Whilst Richard Ashcroft himself has described the mix of styles in his new work as eclectic, mostly ‘Lovin’ You’s vibe is still a mellow, Radio 2 friendly one.
Come to think of it, isn’t one definition of freedom doing whatever you want to do provided that it doesn’t cause harm …
Moshers have to wait their turn in this fierce and primal mix, but both Fried and the breakneck hardcore of Kin are stagedive ready, an aspect of this community Upchuck haven’t forgotten.
You don’t start writing about music to talk about vomiting, but you can’t deny the times might call …
‘portals // polarities’ celebrates process as well as offering a wider emotional perspective on Night Tapes’ polyglot influences.
Many of us will at some point have done it; having either strummed a chord, blown a note or held down a key, we for the briefest of seconds counted ourselves as …
These songs make Sprints one of the must hear Irish bands from a long line of must hear Irish bands.
Sprints singer Karla Chubb has, like many of us, stared in the abyss of modern living, considered her response carefully and decided: ‘I could not give less of a fuck’.…