The Molotovs’ street performing roots are evident in how confidently they handle an audience, feeding off crowd energy without hesitation.
So hot they’re steaming, Southend duo The Molotovs had a remarkable 2025 – recording their debut album, supporting the likes of Blondie and The Damned …
Ready start to the new year with the release of a new album, Sleaford Mods’ Jason Williamson takes Live4ever into the background and inspirations behind ‘The Demise Of Planet X’.
There’s no doubt about it, 2025 has been yet another tough year, socially and politically.…
Pete Doherty with The Libertines live in Manchester (Gary Mather for Live4ever)
Playing to the crowd, Babyshambles walked on to The Wurzels’ Combine Harvester; as ever with Doherty in charge, the line between sincerity and surrealism is always blurred.
Peter Doherty has always been consistent and prolific; either through playing …
As has been the trajectory of their year, Adult DVD take Rough Trade by storm with an intricate, euphoric blend of indie rock, electronica and acid-house shimmer.
Daniel Avery is a past master, and here he maintains a balance between control and abandon.
With the Simple Things festival officially underway, a dark, pulsing energy filled the Bristol Beacon on Friday night as Scaler and Daniel Avery brought two distinct visions of electronic intensity …
The Ocean was Richard Hawley’s musical high point, as its lilting rhythm swelled into an extended passage of Hendrix-like guitar squalls, turning the album centrepiece into a mid-set showstopper.
With a mix of brutality and bravado, GANS’ debut album is both ambitious and assured.
“We felt connected when we met and we had ambitions that lay beyond that world,” explains GANS‘ (‘Goose’ in German, fact fans) guitarist and vocalist Thomas Rhodes of his band’s gestation.
‘Physical Graffiti’ spans nearly every corner of Led Zeppelin’s sound – hard rock, blues, folk, funk, prog – fusing them together with eye-widening ambition.
One of the defining rock records, when Physical Graffiti was released in 1975 it was Led Zeppelin’s first release on their Swan Song label and …
For all its paranoia, Suede’s new record is strangely joyful as it implores the listener to face death even as they embrace life.
Galvanized by the energy from 2022’s Autofiction tour, Suede follow up their ‘punk’ album with – appropriately – their ‘post-punk’ album, with the influences said to include …