Tracks Of The Week: The Howlers, Fazerdaze and more


The Howlers by Hattie Brown

The Howlers by Hattie Brown




Click here to follow Live4ever’s Spotify playlist for the pick of the week from The Howlers and all our favourite new tracks.

The Howlers have unveiled their first new music of 2022.

Part of an EP entitled Further Down The Line which is out on September 30th, the artwork for Nothing To Lose has been designed by the esteemed Brian Cannon and sticks to the northern soul feel which runs through the track.

“I wanted to write a track that had elements of soul sprinkled throughout and to capture that energy that soul music conveys to the listener, but in our own unique way,” Adam Young explains.

Stone are streaming their latest track Waste fresh off signing a new record deal Polydor.

“The chorus is about how the need to be liked or loved can become an almost obsession that is dangerous to my mental health,” Fin Power explains.

“The song’s middle 8 section is inspired by a time where I felt so distorted in my own brain it was like I was in a video game – sat in the passenger seat of my own emotions. We produced the song with Al Groves (Bring Me The Horizon) and recorded the vocals in one take each time, running straight through the verses and choruses so that the anger and breathlessness was real and raw.”

The Subways have confirmed the details of their new album Uncertain Joys.

After the release of the You Kill My Cool single earlier this year rubber-stamped the permanent arrival of Camille Phillips on drums, the band have made the follow-up track Love Waiting On You available now.

“Love Waiting On You is about the tension between desperately wanting to be with the one you desire and yet also relishing the suspense in being kept from them,” Billy Lunn said.

The distinctive sound which runs through the right side of late-90’s alternative pop has been invoked on Amelia Murray’s first Fazerdaze release in five years.

“Come Apart is an angsty surrender to growing apart from people in my life,” Murray says of the tracks. “I wrote this at a time when I wasn’t accepting that some of my closest relationships were just not working. I was contorting myself to fit others, doing everything I could to keep the relationships going instead of allowing them to be what they were; ending, done.”

“I believe this song was a way for my subconscious to shout at me to surrender and to allow things in my life to come to an end.”


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